A Beautiful Story

One of my favorite movies is A Beautiful Mind, a biopic about the renowned mathematician and Nobel Peace Prize winner John Nash. The movie opens with Nash's years in graduate school at Princeton, chronicling his failures and successes, as well as narrating the close relationship which developed between Nash and his roommate Charles Herman. After Princeton, it follows Nash through several years at Wheeler Labs at MIT, as he is married and becomes involved in a highly dangerous task of cracking the codes of Russians who are hiding a portable nuclear bomb. About halfway through the movie, Nash begins to be pursued by Russians and he becomes extremely paranoid. This culminates in his lecture at Harvard where he is forcibly sedated and taken captive by imposing men in dark suits. (If you have not seen the movie, stop reading - spoiler ahead.)

The next scene, Nash awakes to find himself in a mental institution. And through a conversation between Dr. Rosen, the head psychiatrist, and Nash's wife Alicia, the audience learns to their shock that Nash is schizophrenic and the story of the Russian code breaking, which had consumed the better part of the movie, was all a delusion. Moreover, his Princeton roommate Charles Herman, a character the audience had by now grown to love, was also a delusion. The audience is then taken on a journey through Alicia's searching to various places that Nash visited during his delusions. What had been a beautiful old mansion, where he had dropped off his code breaking research, was truly a dilapidated old house. What had been a highly sophisticated entrance system, was truly just a rusted out mailbox. All of Nash's research was still sitting in the drop box, never picked up, never opened. The audience learns with Nash and experiences with him his disbelief of the poignant words of his wife: "It isn't real."

This point in the movie, though midway through its plot line, entirely changes the story. After learning this information, the audience realizes that they are not watching a movie about Russian codes; rather, they are watching a movie about a schizophrenic man. Had a person stopped watching the movie prior to this point, he or she would have had an entirely different interpretation of the first half of the movie.

There is a striking parallel here to the story of Scripture. Imagine a person sitting down to read the Bible for the first time. Imagine further that this person had never heard of anything in its pages before. Not knowing where else to start, she starts at the beginning. As she reads along in the first few books it becomes clear to her what the story is about, a people group who is chosen and redeemed by their Covenant, Creator God. But like A Beautiful Mind, there is a crucial turning point two thirds through the story: "And the Word became flesh, and dwelt among us, and we beheld his glory, glory as of the only begotten from the Father, full of grace and truth."

These words, much like the words of Alicia Nash, change everything. When we go back and read the first part of the story, we see things differently, things we didn't see before are there and things we saw before are no longer there. For instance, if you read the first part of the story, you might be prone to think of the Creator God as one who sanctions war. But after reading the sermon on the mount and seeing the God on the cross, you realize that this is not true. If you read the first part of the story, you might think that the Creator God is an exclusive God, coming for only one group of people. But after you read the letters of Paul, you realize that Christ came for all people.

Whereas the Fathers, starting from the two disciples on the road to Emmaus, inherently understood the truth that the testaments cannot be read apart from one another, most biblical scholars and Christians today do not understand it. You see the misunderstanding every time an OT scholar insists that we must understand the OT as the Jews would have understood it. You see the misunderstanding every time someone argues for the death penalty or for war or for some other controversial point using verses from the OT with no concern for the coming of Christ. These kinds of arguments are the same as if someone argued for the reality of Nash's roommate Charles Herman having only seen the first half of the movie. Herman is, of course, not reality but one has no way of knowing that without watching the entire movie.

Of course metaphors are not exactly the same as that which they portray; therefore, metaphors by nature break down. Where this one breaks down is precisely in the category of truth. Whereas John Nash's turning point showed him that things in his life he had thought were real were actually illusory, the coming of Christ in the flesh shows that the stories of God and the prophecies therein are the only true thing.